Time travel and moral ambiguity. Obviously?

Hello

With my last post in mind I am still no closer to knowing what I would do if I knew when and how I was going to die. And no one else does either considering I didn’t get an answer to the question I posed last time. Yeah, I’m sticking with that for the reason why nobody answered it. I’ll sleep better if I do.

Anyway, I closer to the end of my sci-fi story. Well at least I think I am.

My hero Arthur had just woken up on the day of his death and was about to put his plan in motion. He did just that and it all went exactly as he wanted it to. But only if you forget about the explosive reaction of a certain someone within the government. That someone was watching him all the time and kidnapped him and took him to his lair. Makes my villain sound like the claw or something. He might be? I’ve taken Arthur to his final show down with the villain of the piece and I am enjoying writing it. I have said in the past that I mostly enjoy writing battle scenes but battles of will’s between hero and villain are actually pretty cool to construct in themselves as well.

So how did I end up having to develop moral ambiguity within my story?

This did creep up on me I have to say. I’m about half way through the ending of the story and my hero is faced with a problem. Should he let the government head honcho continue ruling as a secret dictator, which has made the UK very wealthy, or stop him completely and thus restoring the UK population to its free and sometimes reckless self. I’m not sure which way he should go. On the one hand my hero, who is only just beginning to live life the way he wants to after years of slogging away for seemingly nothing, could rule the UK and become an even further behind the scenes dictator of a dictator. On the other hand he could destroy said dictator along with the government and put the UK into potential chaos, but it would be a chaos that could lead to a better future without being pushed down by an iron fist the public currently don’t know anything about.

I got to this point all on my own and then I read a wonderful article by Alex Davis in the February edition of Writing Magazine that concerned character-building. There is a section about moral ambiguity that I seem to have covered all on my own. Though I have opened myself up to asking more questions and making sure I’ve got it right. I may even have to rewrite parts of the story so it will flow.

And with that in mind I’m going to go away and try and answer them. Once my story is finished I’ll post parts of it on here for your eyes to peruse. Or not. Your choice of course.

Bye Bye

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